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VipZone Acapellas Hardstyle Vocals WAV

We would like to present new voice / acapella pack - Hardstyle Vocals. Pack contains over 1300 files including sentences and words processed through miscelanous squeezing effects. If you're searching for powerful hardstyle voices that's the pack for you. Enter the amazing world of hardstyle vocals !

BAZZ
BAZZFAZE
BAZZFLASH
BAZZFUCK
BAZZTARD
BITCH
BITCHFUCK
COCAINE BAZZTARD
DIRTY
DIRTYBITCH
DIRTYFAZE
DJ
FAZE
FLASH
FUCK
FUCK THE DJ
FUTURE
FUTUREFLASH
FUTURESHOCK
HARDFUCK
HARDSTYLE
KILL THE DJ
MUTHAFUKK
PILL CONTROLLER
SON OF A BITCH
SPEED
SPEEDFLASH
SUPA BAZZ
WHITELINE
XTC

123 IN THE PLACE TO BE
GET THE BITCH AND FUCK IT HARD
GET THE DRIVE AND FEEL THE BAZZ
JUMP JUMP INTO THE FUTURE
KEEP DA BAZZ GOIN
KILL THE DJ AND PLAY IT HARD
PIMP DA DIRTY BITCH
PIMP MY BAZZ
SON OF A MUTHAFUKKING BITCH
TEQUIERO PUTA

wav
124 mb(281 mb)

http://letitbit.net/download/4716.4c4957ed43ca3d0c5de88d6558/VZ.Ac.HardVocW.rar.html
http://up-file.com/download/9874.9a1bfc9952e6808e98e1f091d8
http://depositfiles.com/files/j4uty8lvf

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Vengeance-Sound Soundsets

Vengeance Sound - Analog Meltdown Waldorf Pulse Soundset.rar
Vengeance Sound - Blue Magic - Supernova 2 Soundset.zip
Vengeance Sound - Club4k Part1 Soundset for Novation V-Station-iNV.rar
Vengeance Sound - Dance&Techno Soundset Waldorf A1.rar
Vengeance Sound - DiscoDSP Discovery.zip
Vengeance Sound - Factory ReFX Vanguard.zip
Vengeance Sound - Incubation - Virus c Soundset.rar
Vengeance Sound - Incubation v2 - Access Virus Soundset.zip
Vengeance Sound - Incubation v3 - Virus Soundset.zip
Vengeance Sound - Nordish By Nature - Norldead 3 Soundset.zip
Vengeance Sound - Prophecy Soundset - NI Pro-53.zip
Vengeance Sound - Q-Trilogy Volume 1 Waldorf Q Soundset.rar
Vengeance Sound - Trance Source 2001.zip
Vengeance Sound - Trance Source X Access Virus.zip
Vengeance Sound - Vanguard Soundset Part II.zip
Vengeance Sound - X-Plorations Vol 1 - JP80X0 Soundset.zip
Vengeance Sound - X-Plorations Vol 2 - Jp80x0 Soundset.zip
Vengeance Sound - X-Plorations Vol 3 - Jp80x0 Soundset.zip

-------------------------------------------------------------------------------------------------
INFORMATION
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Trance Source 2001
128 patches. Beside many standardsounds you will also find much trendy stuff.
The perfect "all-in-One" basic bank.

Trance Source X
128 patches. Fat analog leads, complete bassline-grooves, thick monsterpads, 303s -
This bank starts, where the 2001 bank stops. Definitely material for the next top 10 hit...

Incubation V1
128 patches for Virus C. Available for free at Access-Music

Incubation V2
128 awesome Killer-Sounds for Access' Virus C model! This soundset contains all the
new trendy sound, you will need for a successful 2005...

Incubation V3
128 ultra-fresh sounds for Virus C models. Outstanding new sounds for all current
Trance or House styles!!

X-plorations vol. 1
64 patches, crystal-clear power synths, weird leads, dream-pads - the JP never sounded
better! A "must have" for all trance/techno musicians

X-plorations vol. 2
64 patches, even bigger, fatter, better. HQ techno sounds for the User-B bank, the
vol.1 user so long have waited for.

X-plorations vol. 3
128 sounds, dual layered to 64 killer-performances. Mainly focused on leadsounds.
In performance mode you can use the supersaw waveform twice... this is the maximum
of fatness you can get out of a synthesizer. The ultimate lead sound library!

Blue Magic
128 fresh Techno/Trance Sounds for Novations Supernova. Very bright and clean trance
leads, full of energy, crispy and powerful basslines, hard distorted 303 clones, spacy,
never heard lead sounds - You wil definitely need this soundset, if you own a Supernova!
There are no alternatives...

Analog Meltdown
40 techno patches. Monsterleads and monsterbasses. If you need the real analog-feeling,
your search has ended...

Nordish by Nature
128 sounds for Clavia Nordlead 3. superpads, trance basses, fresh 303s, power-saws, FM sounds,
weird leads...especially the pads are awesome! The Nordlead is the "pad dreammachine"...

Trance & Dance Soundset for A1
128 sounds for Steinberg A1 software synthesizer! A set full of all the "basics" you need
frequently, if you produce techno.

Cosmic X
64 techno/hardtrance sounds for Yamaha CS6x and AN1x PlugIn Board. Fat analog leads and
evil experimental sound will make you smile!

Q - Trilogy vol. 1
100 techno/trance sounds for Waldorfs Q series. Volume 1/3 contains the standard equipment
for your next clubhit!

Club 4k part I - V-Station
100 techno/trance sounds for Novations V-Station
Very impressive, what a software synth can do! Awesome.

Vengeance-Sound Factory Presets
128 techno/trance factory sounds for reFX's brand new VST-Synth: Vanguard is available
from the reFX website:reFX.de

Analog Essentials
64 bass/303/lead sounds for Powercore01 synthesizer. Extremely analog and powerful,
raw sounds.

Prophecy
128 sounds. Five categories: leads, synths, pads, basses and FX in outstanding quality.

Discovery Soundset
64 trance / techno sounds for DiscoDSPs "Discovery" VST synthesizer. Fine trance leads and
screaming FM sounds

Vanguard Soundset Part II
128 Sounds. The Continuation of the original factory set. Leads, Arps, Trancegates, Pads,
Basses, FX. The Vanguard is available from the reFX Website: reFX.de

DOWNLOAD:
Vengeance-Sound.rar

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Computer Music Magazine - October 2009

English | Scan to PDF | 105 Pages | 73.5Mb

DOWNLOAD:
Computer_Music_-_October_2009.rar
mirror:
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Eectronic Musician Magazine - September 2009

English | September 2009 | PDF | 69 Pages | 11Mb

Electronic Musician is the #1 magazine in the U.S. for musicians who record and produce music in a home or personal studio environment.

DOWNLOAD:
http://depositfiles.com/files/g7a2xbcod
mirror:
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mirror2:

http://rapidshare.com/files/272395033/EM-Sept2009.rar

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Ultimate Urban Breakz delivers over 1.2GB of brand new samples, patches and loops including the entire content of the award-winning titles 'Underground Garage' and 'Nu Skool Breaks'. Slammin' breakz and pumpin' beats for urban music production. It has been expertly created in Reason Refill format and it features tons of Hip Hop samples and loops organised into construction kit format. You get the toughest beats, pulsating basses, sizzling keys, FX and all the single synth sounds you'll need to make a killer track!

http://rapidshare.com/files/272804286/tekurbrkz.part1.rar
http://rapidshare.com/files/272818423/tekurbrkz.part2.rar
http://rapidshare.com/files/272807875/tekurbrkz.part3.rar
http://rapidshare.com/files/272807587/tekurbrkz.part4.rar
http://rapidshare.com/files/272815249/tekurbrkz.part5.rar

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SSENTIAL BASS is full of highly useable, production-ready bass sounds made with cutting-edge sound design techniques. Making full use of advanced KONTAKT scripting, renowned sound-design house Scarbee have have provided fingered and slapped bass adapted from their premium Red Bass series. Also included are sampled Minimoog, Roland Juno-60 and Studio Electronics SE-1 synths, as well as a picked electric bass courtesy of Pettinhouse. Plus, inventive and totally phat bass sounds have been developed via REAKTOR SPARK and legendary REAKTOR ensemble, Steampipe. Every bass can be tweaked further via powerful KORE 2 and free KORE PLAYER software.

ESSENTIAL BASS features easily adjustable sounds that sit correctly with your drums, reducing the time consuming process of searching for and tweaking sounds. Using pro techniques of doubling-up bass sounds to fully round out the bottom end, this instrument gives your tracks that sought-after weight and presence. From the dirty synth attack of MASSIVE, FM8's and ABSYNTH's heavy digital waves, GUITAR RIG's nuanced tone tweaking and KONTAKT's exceptional double bass - ESSENTIAL BASS answers your every low end need.

Number of Sounds: 200 (1,600 sound variations): 141 synth basses, 39 Sampled Analog Basses, 15 Electric Basses (by Scarbee and Pettinhouse), 5 Upright Basses (by NI)
Sound Categories: Bass
Sound engines utilized: REAKTOR, KONTAKT, MASSIVE, ABSYNTH, FM8 GUITAR RIG and KORE
Download size: 1,25 GB (Mac) / 971 MB (PC)
System requirements: Free KORE PLAYER (Version 2.1) or KORE 2 (Version 2.1)

DOWNLOAD:

http://rapidshare.com/files/272985678/Native_Instruments_KORE_Line_Essential_Bass_PC.part1.rar
http://rapidshare.com/files/273002576/Native_Instruments_KORE_Line_Essential_Bass_PC.part2.rar
http://rapidshare.com/files/273040570/Native_Instruments_KORE_Line_Essential_Bass_PC.part3.rar
http://rapidshare.com/files/273073904/Native_Instruments_KORE_Line_Essential_Bass_PC.part4.rar
http://rapidshare.com/files/273095965/Native_Instruments_KORE_Line_Essential_Bass_PC.part5.rar

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MOTIF 808 -- MOTIF 909 -- MOTIF Dance Kicks -- MOTIF Electric Kit -- MOTIF Standard

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UK Funky Producer is the latest sample pack from Prime Loops and Dubwise…the first of it’s kind. UK Funky House is a new style of modern electronic dance music coming deep from within the Grime, Hip Hop, Bassline, House and Urban communities.

Heavily influenced by many other styles of music, including contemporary, Electro House, and increasingly, Broken Beat, Soca, and Afrobeat, UK Funky is a new breed of club ingredients mixing traditional UK Garage beats, Bass Loops and Synths with Latin Percussion, and Contemporary R&B-style vocals.

Percussion such as bongos, shakers, and snares are used to give a dark exotic African sound, Artists such as Crazy Cousins, Donaeo, and Naughty have all been big players in the UK Funky scene so far, and as the scene evolves, there is room for many more artists and producers to get involved as the scene blows up.

This exclusive and highly original sample pack has been compiled by some of the best producers in the scene today, and as you’ve come to expect, presented in multi-format, and 100% Royalty Free.

We have made every effort to make this pack versatile, and therefore you can use these loops & samples to create the smoothest of soulful funky house productions right through to the darkest bongo bashing, grimey tunes. This awe-inspiring sample pack can also be used to create a multitude of other genres and combinations including Electro, Grime, Garage and many others.

With nearly 500 Loops & Samples, you won’t be short of inspiration. Warm Textured Pads, Meaty Drum Loops, Congo Natty Bongos, Mind Bending Music Loops, Twisted FX, Dark Afro Basses, Dutty Drum Hits…UK Funky Producer has it all.

Specs:

• Samples:440+
• Formats:WAV/REX2/APPLE LOOPS
• Bit/Sample Rate:16 bit/44.100

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Supercharge your beats with this massive producer pack featuring hundreds of groovy add-on and no-kick loops. Every loop was engineered with unrivaled attention to detail, quality and usability.

Groove Additives are percussive soundbeds which work great as rhythmical backing for your beats. Just build a simple loop made out of a kick drum, hihat, snare or clap and then add any of our loops and your beat suddenly turns into a rich and complex groove.

The following preview demonstrates the power of the "Groove Additives". First we play a simple beat and synth sound and then we start adding a selection of our grooves.


Groove Additives features:

300 high-quality loops, 2 bars, 24 bit, 44.1 kHz, stereo
WAV/AIFF: 128 bpm, REX2: flexible speed
more than 370 MB of sounds (unzipped)

Suitable for Techno, House, Electro House, Minimal House, Minimal Techno, Tech House, Funky House, Soulful etc.

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Artillery2 is a MIDI controlled multi effect plugin that comes with 28 effects which can be put to keyboard zones and triggered with MIDI notes. With Artillery2 you can create unlimited effect combinations and modulate effect parameters with an unlimited number of modulator engines.
The included effects vary from classics (Delay Effects, Filters, Compressors etc) to innovative creations like Looper, Step Looper, Reverser, Vocoder with internal Synth, Vowel Filter, Karaoke or a Turntable effect.
The Effects:
Filter
Eq
Multimode Filter
Vowel Multimode Filter
Vintage Lowpass
Delay:
Standard Delay
Diffusion Delay
Filter Delay
Reverb
Tonal Delay
Amplitude:
Amp
Compressor
Sync Dumper
Enveloper
Normalizer
Granular:
Looper
Step Looper
Tonal Looper
Reverser
Pitch
Turntable
Modulation:
Flanger
Chorus
Phaser
Ring Deluxe
Special:
Retro
Vocoder
Overdrive
Karaoke

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Audio sample trigger plugin. Drag'n drop samples and trigger them with your audio. Spice up your drums loops and recordings.
Features:
Triggers mono & stereo samples by analyzing audio signals.
ZERO samples trigger latency.
prev/next sample buttons to scan through folders.
powerful multi sample modes with dynamical
ample selection and crossfading
The triggered samples can be modulated by level, by pitch and by a low pass filter.
Drag'n drop support for aif, wav & sd2 sample files.
Midi-Input, can be used as a midi sample player.
Includes spikeGen, a spike pattern generator

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Lexicon 480L Lexicon 960L Lexicon MPX500 Lexicon PCM 60
Lexicon PCM 70 Lexicon PCM81 Lexicon PCM91 Eventide Eclipse

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E-MU® Systems today announced its new Proteus® X2 Desktop Sound Module for PC, featuring TwistaLoop™ real-time audio manipulator, Morph Filter Designer to create custom filters, Multi-Function Generator for advanced LFO/envelope/arpeggiator programming, over 3GB of sounds, a host of new effects plug-ins, and much, much more. Proteus X2 builds on the unmatched sound quality of E-MU's pristine 24-bit/192kHz sound engine and patented pitch interpolation, and can be run either standalone (64 MIDI channels) or as a VST instrument (16 MIDI channels per instantiation). Proteus X2 ships May 2006 with a 2in/2out USB MIDI interface and over 3GB of sounds at an estimated street price of $199.99. Proteus X2 will also be available as an add-on for any E-MU Digital Audio System or Xboard USB/MIDI controller ($149.99), or as an upgrade for existing Proteus X owners ($49.99).

TwistaLoop
TwistaLoop is a tool that allows the real-time audio time expansion/compression of E-MU's TwistaLoop files using E-MU's patented pitch interpolation, as well as real-time switching between multiple loop points and regions.

Morph Filter Designer
The Morph Filter Designer provides users with filter creation tools that E-MU's sound designers have been using for years to create the legendary morphing Z-Plane filters. The Morph Filter Designer now allows the construction of all-new exotic filter types that can be morphed from one type to another in real-time.

Multi-Function Generator
The Multi-Function Generator offers advanced LFO/envelope/arpeggiator programming, providing three function generators per voice that are directly tied into Proteus X2's powerful synthesis architecture (over 100 parameters). These Function Generators have several key sync and direction modes that enable complex levels of control, and can be programmed to modulate pitch, filters, volume, retrigger samples or LFO's, change tempo or trigger other events.

Mout or burn install and leave while it authenticates and authorizes as you start it!

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THIS VERSION OF EMULATOR X WILL WORK ONLY WITH E-MU SOUND CARDS (INTERFACES)

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The 01X Channel Module is a VST/Audio Units software plug-in version of a single 01X channel strip, giving you the ability to control and manage all mixer parameters, including EQ, dynamics, phase, attenuation and more from an intuitive graphical interface on your computer screen. Channel Module seamlessly integrates with Studio Manager for 01X software, allowing you to call up complete mixer setups stored in the Studio Manager Scene library, and send them
directly to the 01X. In this way, the 01X Channel Module can also function as a link between the 01X and your DAW sequencing software. What's more, when recording, you can monitor the input source with EQ and dynamics while recording only the dry signal. Channel Module gives you the flexibility to fine-tune
your song with effects during mixdown.

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Drumkit From Hell aka DFH® is for better and heavier drums in music production. A drumlibrary with the best musicians and producers available in Swedish heavy metal.

Drumkit From Hell was awarded 5 of 5 in Sound on Sound and an EQ Magazine Exceptional Quality award and launched Toontrack® Music and the DFH® brand in a major way into the sample business enabling the development of the Superior and EZdrummer® samplers. To celebrate and signify the importance of Drumkit From Hell Toontrack® has decided to re-release it as an EZX® expansion pack for EZdrummer®.
The DFH® EZX® contains the essence of what Toontrack® is originally all about. The commitment to excellence through collaboration with the best players and producers aimed at helping you to make better, more inspired music. This version of DFH® includes both the original DFH® release and the Add-On pack that was released subsequently. The sounds for DFH® were played, recorded and produced at Dug Out studios by Tomas Haake, Daniel Bergstrand, Mattias Eklund and Fredrik Thordendal. All sounds have been re-mixed at Toontrack® Studios by Mattias Eklund

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Imagine a plug-in that allows you to tune your vocal recordings, apply special effects and add natural sounding harmonies when mixing your track. Look no further, Mu Voice is the plug-in for you. The proprietary spectral analysis and synthesis techniques of Mu Technologies set new standards in vocal processing providing a unique tool for your recording studio. An internal delay of only 5.8 ms makes Mu Voice the ideal vocal processor to perform live on stage.
Intelligent Harmonizing: An "intelligent" harmonizer takes into account the musical context of a piece like chord and scale information. This is exactly what Mu Voice does. A four track mixer allows to configure the voicing (1st, 2nd, 3rd or 4th voice) and octave for each channel.
Scale / Chord Selection: The chord panel offers a straight-forward interface to select chords. When a given key signature is selected, the diatonic series of chords is displayed. By clicking the chords and modifiers, a chord is selected for harmonization.
Chord Scheme Editing: Chords can be added to a scheme by pressing the "Insert" button or double clicking them. By clicking an item in the scheme one can navigate through a chord scheme.
Mixer: The mixer combines all four track and allows to mute certain channels with the [M]-button. The first channel can be put in bypass (B-button). A pitch shift slider adds an extra interval to the channel. The range of the shift slider is expressed in half tones can be quantized by pressing the Q-button.
Tuner: Mu Voice comes with a built-in tuner that has a parametric impact (0: no impact, 1: full impact). The tuner has two modes:
"Chromatic": tune to the closest half note
"Scale": tune to the closest note in the current scale
Channel FX: In addition to the voicing configurator, the gain control and pitch shifter, each track has additional set of FX:
Pan: To abtain a realistic spatial positioning, the panner uses interaural delays and an interaural gains that are based on psychoacoutic measurements. The panning parameter corresponds with the angle relative to the listeners nose.
Humanizing: When the pitches of the harmonies are coupled too tight, they might interfere and be perceived as a single distorted voice. The "humanization" parameter solves this problem by adding very slight random pitch variations and an additional delay.
Formants: The formants determine the "timbre" or "color" of the voice. When the pitch of the Voice is altered, the formants are maintained. One can disable the formant correction by pressing the green button next to the slider. The formant slider controls a linear scaling of the formants and alters the colour of the voice. By shifting the pitch up and scaling the formants, the voice of a women can be changed to the voice of a young girl.
Filters: Mu Voice offers a number of filter presets; high-pass, band-pass, comb-filters, notch filters ...
Harmonic EQ-ing: The proprietary spectral analysis technique on which Mu Voice is based, allow to control the amplitude of each harmonic in the sound. We named this effect harmonic EQ-ing. A number of presets are provided that illustrate this unique feature.
Preset Management: To keep the large number of control parameters manageable, all parameters that are not related to the chord scheme can be saved in presets. By selecting a preset, configuring the parameters and pressing the 'Save'-button, the preset is stored. When a preset is selected and the 'Apply'-button is pressed, the preset is loaded. Presets can also be added to the chord scheme by pressing the 'Insert'-button.
Full Automation: The progression of chords and presets can be fully automated in two steps
Write Mode: The plug-in is put in read-mode by pressing the [W]-button above the chord scheme. When you select a starting point and press the right arrow on your keyboard, you will move to the next position is the scheme while the timing of this event is recorded.
Read Mode: The plug-in is put in read-mode by pressing the [R]-button above the chord scheme. The plug-in will synchronize itself to the host time so that it becomes fully automated.
XML based file exchange: The plug-in state, chord scheme and presets can all be saved in XML. This makes the configuration of your plug-in readable, editable and portable over all platforms.
SIMD Optimizations: Mu Voice is highly optimized exploiting special processor instruction sets like SSE for Intel processors and Altivec for PowerPC's.

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MicroDicer is an easy to use, flexible beat-slicing VST plug-in for Windows. It can use both WAV and REX 1 & 2 files, and it allows dragging and dropping of both slices & MIDI, in to and out of the plug-in.
Features:
Supports 16/24 bit mono & stereo WAV and REX 1 & 2 format samples.
You can drag and drop these files from other applications or alternatively you can use the file loading system,
where you can preview them before you load them in (for REX files these can be played back in sync with the host tempo).
You can splits samples into as may 128 different slices,
samples can be sliced using automatic beat detection,
into equal parts or at a set number of beats.
Automatic splitting of slices and mapping of these to notes when you load in a sample.
Each MIDI note can trigger any slice, with each triggered slice having its own pitch,
volume, panning, choke group, output channel and playback mode.
One to four output channels.
Drag and drop of MIDI slice file into your host, this MIDI file can be altered so it is a set number of bars long or at a set tempo.
Ability to save each slice as separate waves or selected slices as one file, also you can drag and drop selected slices to other programs.
Three playback keys, loop, rnd and sequence, where all the slices can be played in order by pressing a key, this playback is autosynced to the host's tempo.
Very low CPU usage, and 8 preset slots.
MicroDicer graphics were designed by E-Phonic, and is fully skinnable, several skins are supplied.
Full manual included in PDF format.

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IIEQPro is a 10-band fully parametric track EQ with a choice of 12 filter types per band: analog peak, digital peak, notch, low and high pass with 12 and 24 dB per octave, two band pass filters, an all pass filter, a low shelf and a high shelf. The filters can be wired in series or in parallel, allowing for even more combinations.

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The Shark is a 4-oscillator sample-based synth. The Shark comes loaded with 64 presets from Junebug. These presets are based on an *all-new, *all-exclusive"* one-shot sample set of 50 sounds. To give you a good idea of the type of sounds you'll find inside THE SHARK, here's the list of the FIFTY raw .wav samples:

303-like, bass wobble, blast sweeper, chemical lead 01, chemical lead 02, chemical lead 03, chemical lead 04, chemical lead 05, funky lead, ghost hit, hoover, long bass 01, long bass 02, man vs. machine - stab, organ 01, organ 02, organ 03, pad 01, pad 02, pad 03, plucked 01, plucked 02, plucked 03, plucked 04, raver 01, raver 02, raver 03, raver 04, raver 05, raver 06, raver 07, raver 08, raver 09, raver 10, real strat 01, real strat 02, real strat 03, rhodes 01, short bass 01, short bass 02, short bass 03, short bass 04, short bass 05, short bass 06, short bass 07, strings 01, string stab, strong synth, tek bass, temple.

Features:

* 4-OSC Virtual Synth.
* 50 "exclusive" one-shot samples and 64 presets.
* Osc 1 has a unison mode with PWM, cents and fine tuning.
* Osc 2 & 3 feature PWM, cents and Fine Tuning (sine, saw, ramp, triangle, pulse, white noise, pink noise).
* Osc 4 is a .wav format one-shot sample loader.
* LP Filter.
* LFO to PWM.
* LFO to Filter.
* LFO to Pitch.
* LFOs Sync to BPM (1/16, 1/12, 1/8, 1/4, 1/2, 1/1, 2/1, 1bar, 2bar, 4bar)
(sine, triangle, saw, ramp, square, noise, sample/hold).
* "Boost-Style" EQ (Hi, Mid, Low).
* 2 ADSR Envelopes - Amplitude & Filter.
* Mono Mode with Re-Trigger option.
* Velocity Sensitivity with Gain control.
* Portamento.
* Pitch-Bend Wheel with Range Control.

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Supercharge your beats with this massive producer pack featuring hundreds of groovy add-on and no-kick loops. Every loop was engineered with unrivaled attention to detail, quality and usability.

Groove Additives are percussive soundbeds which work great as rhythmical backing for your beats. Just build a simple loop made out of a kick drum, hihat, snare or clap and then add any of our loops and your beat suddenly turns into a rich and complex groove.

The following preview demonstrates the power of the "Groove Additives". First we play a simple beat and synth sound and then we start adding a selection of our grooves.


Groove Additives features:

300 high-quality loops, 2 bars, 24 bit, 44.1 kHz, stereo
WAV/AIFF: 128 bpm, REX2: flexible speed
more than 370 MB of sounds (unzipped)

Suitable for Techno, House, Electro House, Minimal House, Minimal Techno, Tech House, Funky House, Soulful etc.

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Description:
The Mo Phatt Collection contains over 1670 phatt WAV samples. There are no loops, just phatt one hit WAV samples and phatt sample phrases for your production needs. Just load them into any sampler that accepts WAV files and start making music.

Here's the breakdown
1328 Mo Phatt Drum Samples. There are one hit kicks, snares, hi-hats, cymbals, fills, turnarounds and more.
91 Mo Phatt Guitar Samples..

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Modulation (Flanger / Phaser / Chorus / Tremelo)

TAL-Flanger is a easy to tweak stereo flanger effect with its own special
sound and some asymmetric analog like components in the feedback corner.

Useful for a wide range of flanger effects from subtle to extreme.

Features:

-Syncable LFO speed.
-Delay knob for static chorus depth adjustment or manual control without the LFO.
-Depth, delay and width parameter smoothing.
-Asymmetric modeled components in the feedback path.
-Supports all sample rates.
-Default presets.

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virtual tonewheel organ which simulates an american electromagnetic organ of the old days, but it's also capable of other
simulations like the italian transistor organs of the seventies or the red-tolex organs played by famous pop bands of the sixties.

Main features:

* Full polyphony (147 notes)
* Virtual 91 modeled tonewheels generator with accurate phase synchronization
* Adjustable leakage noise and cross modulation between tonewheels
* Three sets of waveforms: Set H (American Electromagnetic), Set F (Italian Transistor), Set V (Red Tolex Transistor)
* Three different organ models
* Adjustable global tuning
* Foldback on 16" deactivable
* Realistic motor wow & flutter
* Busbars and 9 key contacts simulation
* 17 steps drawbars
* Two separate sets of drawbars per manual
* Full "inverted octave" presets
* String Bass with adjustable release time
* Dynamic pickup coil impedance loss
* Adjustable generator filters scaling
* Single triggered percussion with natural capacitor discharge/recharge
* Adjustable global Percussion Level
* Adjustable global Percussion Decay
* Vibrato/Chorus virtual scanner
* Adjustable Vibrato Scanner depth
* Electronic vibrato simulation when Sets F or V are selected
* Separated Upper and Lower V/C tablets with smooth switching
* Dynamic tube overdrive simulation
* Spring reverb derived from Type4
* Smooth action volume pedal with adjustable MIDI response
* Stereo wooden rotary speaker simulation with artificial environment and microphones positioning
* Five different rotary speaker algorithms with adjustable "character"
* Tone Cabinet (stationary speaker) simulation
* Rotors brake position
* Adjustable background hum and noise
* Very low CPU consumption
* Midi controllable, supports VST automation
* Easy MIDI Learn function
* Up to four separated outputs
* Upper and Lower manuals SPLIT with adjustable split point
* Upper and Lower manuals octave transposers
* Selectable output level

Changes in version 1.2.2:


* New Spring Reverb algorithm derived from GSi Type4
* The code has been enormously optimized and the CPU load is amost halved
* Fixed bugs with some hosts (Sonar, Tracktion3, Receptor) that caused a crash when loading VB3
* Added option "Output Level" with 5 different levels. Use this to prevent VB3 from generating audio clips at high dynamics
* Rotary speaker simualtor: improved control over rotors speeds; improved algorithm "Jazz 122";
* Keyclick: improved and optimized
* Percussion: added the missing high-pass filter that gives it more punch and enforces the attack
* Organ sound: the leakage factor, the whole balance between lows and highs and the background noise have been noticeably improved
* Functionality: no more need to recompute the internal wavetables when the plugin is set in standby by the host; improved the stereo widening algorithm
* Many other things have changed internally that can't be explained in few words, but your fine ears will be able to notice the difference with previous versions.

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Yamaha Final Master -- Yamaha Pitch Fix -- Yamaha Vocal Rack

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In the early 80s as digital technology became cheaper, many manufacturers designed synthesizers that
combined earlier analog technology with newer digital technology. These were known as hybrid synthesizers.
Well-known hybrid synthesizers are the Korg DW8000 and DW6000, the Ensoniq ESQ-1, and the Kawai K3.
In analog/digital hybrid synthesizers, the oscillators responsible for generating waveforms are digital while
the filter section remains analog. This approach freed designers to use any kind of waveform; they were
no longer restricted to traditional analog waveforms such as sawtooth, triangle, and pulse. However, by
using an analog filter, these synthesizers retained the warmth earlier analog synthesizers were known for.

Though Cobalt is a purely digital synthesizer, its overall architecture is very much like those early hybrid synthesizers.

It features a wide selection of waveforms, most of which were resynthesized from actual hybrid
synthesizers, while providing traditional subtractive synthesis capabilities for sculpting its sound.

Key Features:

-GUI created by grymmjack.
-26 waveforms - many of which were resynthesized from 80s hybrid synths.
-Flexible modulation routes.
-Apply PWM to any waveform.
-LFO delay.
-Polyphonic Portamento.
-Key tracked envelopes.
-Rich overdrive effect based on a custom algorithm.
-Stereo delay effect with MIDI synchable delay times.
-Easy to use.

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The Wizooverb W2 "High-End True Stereo Room Emulator" includes 15 HDIR (High Definition Impulse Response) models providing
acoustic fingerprints of excellent sounding rooms with a precision and clarity apparently only possible with this "ground breaking"
technology. Wizoo claims that HDIR is the difference between 'adding an effect' and 'putting your track into a real room'.

The W2 also includes the flexible, transparent and natural sounding AIR
algorithmic reverb which can be combined seamlessly with the HDIR models.

Naturally the W2 will load your existing impulse responses and Wizoo claims that the IR optimization will make
your imported impulse responses sound much better than in any other conventional response reverb.



Features:

-HDIR standard: High-end room emulation with unprecedented quality, definition, clarity and spatial accuracy.
-AIR: Vast range of creative options from slight adjustments to entirely surreal spaces.
-Import of impulse responses. IR optimisation has the potential to make user IRs sound significantly better than in conventional reverbs.
-Flexible combination of AIR and HDIR: Mode can be chosen separately for Early Reflections and Reverb Tail.
-Complete set of 15 HDIR models.
-100 user-editable presets from high-end room emulations to completely surreal spaces.
-Latency-free.
-Fast yet deep editing options including graphic impulse response editing and detailed room parameterization.
-Highly optimized CPU efficiency: Multiple instances usable even on average systems.
-True Stereo: The reverb signal accurately reflects the signal position, leaving the imaging of the mix intact.

More details

HDIR models
Ambience, Booth, Cathedral, Chamber Large, Chamber Medium, Chamber Small, Church, Concert Hall,
Dance Club, Opera House, Philharmonic Hall, Room Small, Scoring Stage, Studio Large, Studio Small.

HDIR and IR edit parameters
Directivity, Pre Delay, ER/Tail Balance, Spread, ER/Tail Crossing, MainTime, Low Freq, Low Time,
High Freq, High Time, Length, Attack Time, Attack Slope, Decay Time, Decay Slope.

AIR edit parameters
Pre-Delay, ER/Tail Balance, Spread, Main-Time, Low Freq, Low Time,
High Freq, High Time, Tail Delay, Room Size, Ambience, Density, Color.

Sound shaping
High-end parametric EQ with HS Freq, HS Gain, Mid Freq, Mid Gain,
Mid Q, Mid2 Freq, Mid2 Gain, Mid2 Q, LS Freq, LS Gain.

Presets
100 editable and categorized presets, browser for instant access.

Front panel controls
Pre-Delay, Size, Time and two assignable parameters directly accessible from the main surface.

Full automation of all parameters.

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Solar Orbit is fairly compact VSTi Synthesizer featuring:

as soundsources:
two oscillators with two waves with 8 waveforms each and option to modify the waveshape plus one oscillator with 5 waveforms, the latter one can be frequency modulated which is synced to osc. 2 thus FM will result in getting harmonic content;

as modifiers:
one 24dB Lowpass filter with resonance per synthvoice
one Spook fx as global fx
one Color fx can be seen as 'simple' EQ to enhance lower or upper frequencies
one BassEnhancer to enhance low frequencies (works indenpendently from Color signal)
one delay synced to bpm;

as sources for modulation:
four ADSR envelope generators (one for Filter, one for VCA and two as monophonic global sources)
six LFO and one Sample & Hold;

as additional Modulation controls:
XY Super Modulation as Mod Matrix with adjustable amount to destinations;
plus six Lazy buttons to randomize related sets of parameters.

All in all Solar Orbit is capable of producing quite a variety of sounds among most noticeable are stunning sync sounds, fairly unique pads and fx sounds plus. With a good response on the lower frequency range one might achieve quite 'huge' and deep sounds too.

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Double Bass Mania Series – The premier metal drum sample package on the planet.
Loud. Fast. Aggressive. Order the one and only onslaught you need: Beta Monkey’s Double Bass Mania™ Series. Double Bass Mania I is classic old-school metal. Double Bass Mania II: The Return of the Beast takes it over the top with a relentless onslaught of insanely fast and furious double bass grooves. If you write metal, this is the one.

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1. Groove Monkee 350 MIDI Loops -
Mac - 300 Samples (AD, BFD, BFD2, EZd, GM, DFHS, Reason)
PC - 300 Samples (AD, BFD, BFD2, EZd, GM, DFHS, Reason)
Session Drummer 2 Grooves

2. Groove Monkee Electronic Multiformat MIDI Groove Maps-NoGRP

Groove Monkee Electronic for BFD GURU GM EZDrummer
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Groove Monkee Electronic for Reason Refill GM NN-XT

3. Groove Monkee Professional MIDI Beats Bundle for EZD BFD - NoGRP

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Groove_Monkee_Blues
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Groove_Monkee_Metal
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4. Learning to Use MIDI

SD2_Basic_Features.pdf
SD2_Basic_Operations.pdf
SD2_EZplayer.pdf

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Presented by engineer and mixing guru Michael Costa, this in-depth series shows you how to get professional radio sounding results using the IK Multimedia T-RackS. Michael first introduces you to the powerful T-RackS plug-in suite and then gives you a crash course into mastering your productions so they sound better while having a healthy, loud level. During your journey you’ll learn about EQ, Compression, Dithering, Parallel Processing and much more. Step up your sound today!

Product Hightlights
15 Tutorials / Over 2.5 Hours Total Runtime
For all beginner to intermediate T-RackS users
Written by engineering and mixing guru Michael Costa
Simple to use video control interface for Mac & PC

Preview of the video Tut link below
www.proaudioland.com/news/?p=28

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This synthesizer is featuring Wave-Transition method for absolute unique atmospheres, soundscapes, pads & textures. A very straight userinterface with 3 "Lazy"-Buttons for randomizing different sets of parameters so programming this synthesizer is incredibly easy. The Transition method adds a stunning new dimension and motion for an evolving sound changing completely it's characteristics. Although this is an amazingly "simple" structured synthesizer it gains its astounding sound from the Transition method between the oscillators.

The basic features are:

New: 30 new internal waves added
New: LFO 4 with more than 40 patternlike waveforms
New: Stereo delay now with Cross delay option
New: Stereo flanger with very flexible modulations and resonant LPFilter
New: Space rotation for sound rotating in stereo width
New: Both filters with Filter FM driven by two osc. sources each
New: ext. Audio Input switchable for Osc. A-1

Four digital PCM-wave oscillators powered by 127 selectable waveforms
X-Torsion function for oscillators
two resonant filters (24db Lowpass and 12 db Highpass)
three ADSR-style envelope generators
two LFO (bpm-synced)
one LFO with shapeable and even patternlike waveforms (bpm-synced)
one Sample & Hold (bpm-synced)

The Pro version incorporates loading of User Soundfonts & wavefiles (up to 24 Bit), more voices instead of two in free version.
The Pro version comes with 3 banks and 384 patches.

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LaserBlade features a versatile sound-engine with modulatable XTorsion, Filter FM (frequency modulation of filter like in the Sequential synths) and a Metallize section. This enables you to achieve quite 'sharp' or digital sounds as well as a variety of short percussive Seq-sounds; LaserBlade can also generate soft, bell-like sounds, and more.

Features:

* Two digital PCM-wave oscillators powered by 170 different waveforms.
* Each oscillator has a Harm+ knob for enhancing the upper harmonic structure.
* XTorsion with selectable modulation source.
* One filter (24db Lowpass with resonance).
* Filter-FM feedable from both oscillators separately.
* Two ADSR-style envelope generators.
* Three LFOs (one BPM-synced; one with 42 pattern-style waves; one with shapeable waves).
* Metallize section for more metallic timbres incl. two modulations.
* BPM-synced Stereo-Delay.

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Audio.Damage.907A.VST.v1.0-H2O -- Audio.Damage.Automaton.v1.0.0.VST-DYNAMiCS
Audio.Damage.BigSeq.VST.v1.0-BEAT -- Audio.Damage.Discord.VST.v2.0 .-AiR
Audio.Damage.Dr.Device.VST.v1.0-AiR -- Audio.Damage.DubStation.VST.v1.5
Audio.Damage.DubStation.VST.v1.0.2-H2O -- Audio.Damage.Fluid.VST .v1.0-AiR
Audio.Damage.Kombinat.v1.0.1.VST-DYNAMiCS -- Audio.Damage.Liquid.Flanger.VST.v1.0-AiR
Audio.Damage.Phase.Two.VST.v1.0-AiR -- Audio.D amage.Pulse.Modulator.VST.v1.0
Audio.Damage.Ratshack.Electronic.Reverb.VST.v1.0 -- Audio.Damage.Replicant.VST.v1.02-AiR
Audio.Damage.Ronin.v 1.0.VST-DAC -- Audio.Damage.Vapor.VST.v1.0-AiR
Audio.Damage.Mayhem.VST.PlugIn.Suite.v1.0-paradox

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The new TimewARP 2600. This is the only ARP 2600 emulation product endorsed by its creator, Alan R.Pearlman. By developing our own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600's fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

TimewARP 2600 Synth Features:
3 VCOs - all capable of generating audio band and Low Frequency (LF) signals.
1 Lo-Pass Resonant Filter - supports variable-depth self-oscillation and audio band and LF control modulation.
1 Sample & Hold - driven by either an internal,external, or MIDI Beat Clock. Can also be used as LFO source.
4 plug multiple module: 1)Stereo Reverb. 2)Output Pan. 3)Electronic Switch. 4)Lag Processor - LF filtering from 1.2 to 1200Hz.

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Perhaps one of the most sought after techniques to “master”. Mastering is the final step of your production that adds the shine and brings life to your mix. Using various modules such as Multi-band compressors, spectral delays, EQ, reverb, and loudness maximizers we’ll walk you through the how to steps with one of the finest DSP effects for the mastering process iZotope’s Ozone to give your mixdown that commercial CD quality.

Contents:

Interface Overview
Paragraphic Equalizer
Mastering Reverb
Multiband Dynamics
Multiband Harmonic Exciter
Multiband Stereo Imaging
Loudness Maximizer

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Get ready to jump in and master the functionality and operation of key Waves plug-ins processors! Waves Plug-Ins CSi Master is the interactive guide you've been searching for. This training and tutorial CD-ROM covers basic concepts, button and element definitions, and production techniques, and includes before and after audio examples.

You'll cover plug-ins from the Waves Gold, Platinum, Native, Renaissance, Broadcast, Maxx, Transform, Masters, and Restoration bundles. Sit back and watch a DAW pro show you the ins and outs of driving plug-in processors in sound production then switch over to your own DAW and try each concept yourself!

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WaveLab 6 is the all in one solution for professional mastering, high resolution multi-channel audio editing, audio restoration, sample design and radio broadcast work right through to complete CD/DVD-A production.


Already a standard application for digital audio editing and processing due to its outstanding flexibility and pristine audio quality, WaveLab is used spamide by top professionals and audio enthusiasts alike.

- Sample accurate audio editing in stereo and surround
- Excellent performance and outstanding audio quality with sample rates up to 384 kHz, 32-bit floating point resolution
- Powerful Audio Montage for simultaneous editing across several tracks
- Red Book-compatible CD mastering as well as DVD-A authoring
- Comprehensive suite of real-time metering and analysis tools
- Top-end EQs, dynamics and effects, with optional VST effect plug-in integration
- Fantastic audio restoration tools
- Support for all standard audio formats including WAV, AIFF, AU, MP3, MP2 (M.U.S.I.C.A.M.), RAW, Windows Media 9, AES-31 - — Import und Export plus many more
- Support for all common bit-rates 8-, 16-, 20-, 24-bit at up to 384 kHz)

This is the FULLY FUNCTIONAL version, no syncro-shit to deal with like a crack or anything, but a honest FULLY registered WaveLab
Read the TXT doc, and see the above Jpeg Exsample file, and do everything it says

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ClassicTone-560 -- PulTone-FL -- AngelTone -- HydraTone -- ValveTone '62 -- ColorTone-Pro

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40 ultra-modern dance construction kits by Manuel Schleis all loops are with BPM and precisely cut the kick sample is included for every kit as a single sample, so you are more flexible "ready to use" optimized, just drag them into your sequencer most kits have up to 20 drum and synthloop variations cutting-edge audio quality bonus folder: various mini-kits and the mp3 demo intro as construction kit

Total: over 750MB of data, spread over 500 files

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The new Future House Series from Vengeance offers every producer 40 extensive construction kit that leave
nothing to be disired! Every one of these 40 kits comes directly from the hands of Manuel Schleis and eatch one is a
small masteroiece. The drums exist as single loops in every possible variant (often up to 15 variations!). The kick is
also availeble as a single sample and so greatly expands the creative possibilities. Most of the melody loops are also
presented in many different varieties so you can work with the construction kits in total freedom.
Naturally the loops are all cut exactly to beat and clearly named, load them in and get started right away just as you'd
expect from Vengeance. Not less interesting: as a bonus theres a folder full of a wide variety of mini-kits.
The secret star of this collection is however the amazing sound quality itself. All the loops have been produced at
huge expance and refined by unbelievably expensive analog equipment, thus posseeeing a brilliance and stereo
depth that you will not find in any other dance based collection.

All together this pack consists of over 750MB spread over 500 files

FACTS Vengeance Future House volume 1
- 40 ultra-modern dance construction kits by Manuel Schleis
- all loops are with BPM and precisely cut
- the kick sample is included for every kit as a single sample, so you are more flexible
- "ready to use" optimized, just drag them into your sequencer
- most kits have up to 20 drum and synthloop variations
- cutting-edge audio quality
- bonus folder: various mini-kits and the mp3 demo intro as construction kit
- total: over 750MB of data, spread over 500 files

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VoxPopulus Pro is a VST Vocoder insert effect and instrument.

Features:

* Contains two Plugins: a VST insert effect plugin and a VST instrument.
o With the insert effect external audio signals/tracks can route into the vocoder.
o With the instrument you can use samples and generate new synthesizer sounds using the frequency spectrum from the samples.
* Filterbank with 17 filters, 12/24/dB and manual mode.
* Pitch shift +/-1 oct.
* Voice/unvoice detector.
* Master filter attack for all 17 filters.
* Filter release - can be switched for all or for a single filter.
* 1 analysis sampler, using *.wav 16/24 bit.
* 1 synthesis sampler, using *.wav 16/24 bit, synthesis synthesizer 6 voices polyphony, can produce super saw/ squ/tri signals.
* 2 over-tone modules, add more overtone-frequencies to the synthesis signal.
* 1 input matrix - select the input routing.
* 1 fine-tune matrix - tune each filter 30% up or down.
* 1 filter matrix - route analysis filter to different synthesis filter.
* 1 live matrix - XY matrix automate filter release, filter pitch and synth/sampler pitch.
* Dynamic mute original to vocoder signal.
* 1 stereo chorus 2/4 stages.
* 1 stereo reverb.
* 1 stereo delay, sync to host.

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This loop pack containing drum loops and drum sounds aimed to various downbeat electronic genres like Ambient, IDM, Experimental, Industrial, Trip-Hop, etc. The loops are presented in ACID/WAV and REX2 formats.
Features:
144 drum loops in ACID/WAV format
137 drum loops in REX2 format
385 individual drum sounds in 44KHz/16bit WAV format (bass drum, snare, hit-hat, zip, fx, claps, toms, etc.)
BPM range: 80-120 BPM

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Z3TA+ is an award-winning analog-style synthesizer with incredible sound shaping capabilities. The exclusive bandlimited Waveshaping technology makes Z3TA+ one the best and most respected synths in the industry. As a complete instrument, Z3TA+ is oriented to the professional musician and sound programmer looking for uncompromised sound quality and features. Z3TA+ ships with DXi, VST, and stand-alone versions.

Z3TA+ (zay’-ta) is among the most expressive and inspiring virtual instruments available today, fully capable of producing the most authentic vintage analog sounds and incredible, cutting edge modern sounds. Whether you’re looking for lush, warm pads, slowly evolving atmospheres, searing leads or sparkling FM sounds, Z3TA+ delivers the goods, and includes hundreds of professional presets.

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HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band.
HydraTone's output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called "Fire". The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

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The Vibra3000 features polyphonic Multiple Stacked Sawtooth Oscillators, a noise generator with sample rate control, a lush filter, and MIDI automation. The Vibra3000 easy to use interface allows for quick programming of rumbling bass sounds, sizzling synth leads and psychedelic effects.
Features:
A single-window view.
An easy to understand interface.
MIDI CC assignment.
Polyphonic.
Pulsewidth Sub Oscillator.
Noise Generator with Sample Rate control.
Multiple Stacked Sawtooth oscillators.
Portamento.
A lush filter.
Simple Amp envelope control.
Volume Output meter.
Pan control.
Session recall.
Session automation.

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Stunning guitar riffs and melodies that offer you some seriously cinematic textures with haunting tunes. These beautifully melodic acoustic guitar riffs were expertly played using a new Washburn 12 String Jumbo acoustic guitar.

These beautifully melodic acoustic guitar riffs were expertly played using a new Washburn 12 String Jumbo acoustic guitar. We recorded the performances into an AKG Solidtube Valve microphone for a lush warm tone. These stunning guitar riffs and melodies offer you some seriously cinematic textures with haunting tunes that should inspire your creativity and add a pristine touch of class to your productions.

The demo loops consist of mixed loops that are layered. When you purchase this loop pack you'll also get the raw unmixed loops which give you full control of the mix and depth of these stunning sounds as well as other riffs and melodies. These demos offer a small taste of the full loop pack and its capabilities. Tempos range from 80 bpm to 125 bpm.

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Sherman is under Copyright of Sherman, VST is under copyright of Steinberg Gmbh. This vst was made with Synthedit, using extra modules by Dave Haupt and KDL.
Currently used MIDI controller numbers...
LFO: Depth CC# 26
LFO: Speed CC# 53
Freq1 CC# 31
Freq2 CC# 15
Harmonics CC# 33 (Mod Wheel)
Par<>Ser CC# 14
Byp<>Eff CC# 25
Reso1 CC# 24
Shape1 CC# 26
-B -B+LH 1 CC# 29
Reso2 CC# 41
Shape2 CC# 52
-B -B+LH 2 CC# 27
AM CC# 116
FM CC# 117
CC# 118
to R out CC# 119

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In fact it is far more than a simple transient designer, and it can be used in many situations, including high demanding mastering jobs.


The E²Transienter is based on a patented architecture and parameter combination, which allows detecting and processing transients independently. You can quickly get a wide range of settings, from simple attack enhancement, to complex mix adjustments thanks to the advanced parameters.
The numerous included presets let you easily and immediately get the settings suited to your needs. You can then adjust the parameters to get exactly the sound you are searching for.
Key features
Separate attack detection and attack processing
Precise and reactive, level independent attack detection
Zero Delay processing
Sidechain filter with Low Cut and High Cut filters, or a Bandpass filter
More than 350 presets for easy and efficient instant use for all kinds of tracks

What makes all the difference
Ultra reactive triggering and ultra short gating of the transients
Advanced L/R and M/S detection and processing options
Automatic input gain compensation to prevent output clipping
Several attack filter types: Bell, Shelf, Low Pass with hi-Q settings, special Loudness filter
Adjustable retriggering time sensitivity to select only main attacks

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1973 Bad -- Buss Mojo -- Event Horizon -- Major Tom -- The Rocket -- Transient Monster --Verbiage -- Vibe-EQ

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Live music is a huge industry. In 2006, concert ticket sales totaled $3.6 billion in North America alone! Playing live is an integral part of the success of any musician, band, or artist. There is a huge difference between writing and recording your songs in your home studio or rehearsal space and going out and putting on a show. If you can't cut it live, then you really won't impress any audience, let alone gain a record deal and sell your music. So how do you make sure your show has the maximum impact? How do you appear professional and knowledgeable in an industry that has its own conventions, language, and baffling technical terms? How do you get booked into a venue and get paid? How do you then get bigger and better shows? The Tour Book: How to Get Your Music on the Road answers these questions and many more. It provides practical advice, hints, and tips on every aspect of putting on a live show, including rehearsal, equipment, travel, accommodations, show booking and promotion, sound checks, contracts, taxation, working abroad, and marketing. Featuring interviews and quotes from key industry figures and contemporary artists and musicians, The Tour Book is a must-have for any band or musician who is serious about playing live and making it big.

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